Caribou Fur Boots (Men’s & Women’s) Syktyvkar, Siberia, U.S.S.R. Circa 1945-1973 These caribou fur boots originally belonged to Daniel Driedger. In 1943, while serving in the German army during World War II, Driedger was captured by the Soviet army in Berlin. Soldiers heard him speaking Russian, and recognizing him as one of their citizens, they exiled him to Syktyvkar, Siberia (Northern Russia). He wore this pair of men’s boots while in exile. Daniel Driedger and his wife Maria (nee Martens) were both born in 1914 in the village of Rosenthal, Chortitza Colony, Ukraine. They had two children, Hans and Elizabeth, and the entire family fled from Ukraine with German Army in 1942 as the Germans were being pushed back by the Soviet Army. Though Daniel was captured, Maria and the children escaped and eventually immigrated to Canada, arriving in Calgary in 1948 and then moving to Winnipeg in 1950. The family was separated from their father for over 25 years, before Daniel was able to move to Canada. In October of 1973, Driedger immigrated to Winnipeg and gave this pair of women’s boots to his daughter, Elisabeth Hein (donor). She found them to be too warm to wear in Winnipeg. The felt and rubber soles were a later addition to the boots. Donated by Elisabeth Hein 2011.34.1,2 Brass Myrtle Wreath and Pin New to our Permanent Gallery is a myrtle wedding wreath and lapel pin…made entirely of brass. The delicate pieces were used in 1894 for the 25th wedding anniversary of Elizabeth (nee Reimer) Enns and George Enns. They were married May 29, 1869 in the Mennonite village of Ohrloff in what is now Ukraine. The items were donated to the museum by Mrs. Rudolph Enns in 1978. Myrtle is a plant with small green leaves, white blossoms and small berries. It was commonly used for wedding wreaths and pins among Mennonites from at least the 19th Century until the 1940s. Myrtle was made popular throughout Europe by Queen Victoria of England, who wore a wreath of myrtle on her wedding day in 1840. Myrtle, however, has a much longer history in society. It has been a symbol of fertility, love and faithfulness for over 2000 years, and was considered sacred to the Greek Goddess Aphrodite. At the festival of Venus in Rome (Veneralia), women wore crowns of woven myrtle branches while bathing, and also used myrtle during wedding ceremonies. Many centuries later, myrtle’s pagan background assured it a place in the festivities of even the most reserved Victorians and Mennonites. The Peters Barn at the Mennonite Heritage Village  The Peters Barn stood in the village of Vollwerk (now Mitchell, Manitoba) for 121 years, withstanding the wind and cold and providing the Peters’ family with a setting for their livelihood for many decades. In May, 2006 the barn was moved to the Mennonite Heritage Village, just days before it was set to be demolished by fire on May 31, 2006. This barn and others like it are part of an ancient building tradition spanning a dozen centuries in the lowland countries of Northern Europe. The Peters housebarn in 1945. Historical Significance The Peters Barn was built by Peter Peters of Vollwerk in 1885, and this information is scribed into one of the barn beams. A house was once attached to its east end, the common building method of Mennonites at the time. Peter Peters, the builder of the barn, scribed his village (Vollwerk), name, and date of construction (1885) into one of the sway braces. Peter Peters (1846-1913) was the son of Jakob Peters (1813 – 1884), one of the original 12 delegates to come to North America to determine what possibilities there were for migration to Canada. Peters recommended Manitoba to his people, and the Bergthaler were among the first Mennonite migrants to arrive in the East Reserve in 1874. It is therefore partly because of Jakob Peters that Mennonites are in Manitoba, and this barn stands as a reminder of this decision to migrate and make a new life in this province. Jakob Peters was the Oberschulze of the Bergthal community in Russia and in Manitoba. His son and grandson served as reeves in the area. The history of Jakob Peters is outlined in detail in John Dyck’s Oberschulze Jakob Peters: Manitoba Pioneer Leader (1990). Structural Significance  The Peters Barn exhibits a number of interesting architectural features. The sway braces are joined in lap-notch fashion (rather than mortis and tenon), with a unique curve on top of the joints seen among older Mennonite barns. The “bent design” (the large diagonal braces connected to spanning cross beams) is a less common form among Mennonite barns. This form is directly related to medieval Danish and north European barn design. Mennonite Heritage Village Location for the Peters Barn  The Peters Barn stands today as a testament to the faith and vision of Jakob Peters. It is a welcome addition to the Mennonite Heritage Village and will be preserved for generations to come. Next preservations steps: 1.      Install new oak sills. 2.      Finish wood flooring. 3.      Thatch roof of barn and house. 4.      Replace all siding. 5.      Re-install horse and cow stalls.  The Mennonite Heritage Village would like to thank the extended Peters Family, the Peters Barn Working Group, Cornerstone Timberframes Inc., and the Rural Municipality of Hanover for their continued support in the move and restoration of the barn. Anyone interested in making a donation which will go towards repair and preservation of the Peters Barn can contact the Mennonite Heritage Village at 326-9661. Liebesbrief (Love Letter) 1794 Prussia  Agnethcke Quirings received this love letter from Johan Bartel von Mewsen just prior to their migration from Prussia to Russia in 1794.  Over a hundred years later the couple’s descendent Elizabeth (Klassen) Martens rescued the precious gift from a garbage heap in Wiesenfeld, Russia. She brought the item with her to Canada in 1927.  Johan and Agnethcke were the ancestors of many people who eventually settled in Steinbach.  On Loan from Hermann (Hank) Peters, 6th generation descendant of Johan and Agnethcke Bartel.  The 1794 Liebesbrief is brazenly romantic, containing eight poems written in red ink and surrounded by symbols of love, fidelity, and fertility. Four pairs of birds hold vines laden with fruits and flowers, culminating in large blossoms. Astounding for its symmetry and detail, this Fraktur piece shows how Mennonites were able to express desire within a seemingly austere society. Symbols in German Folk Art Birds – luck, imagination, freedom Flowers – transition, spring, beauty Tulips – faith, hope, charity Hearts – affection, love, compassion   I wish you as many fine days and moments As there are stars in the heavens. My heart would have to be pierced by a sword Before I would leave you, my darling. Translation of Second Poem Glass Fruit Bowl 1910-1930      Katie Janzen received this fruit bowl from her employer, Mrs. Cathcart of Winnipeg, in 1930.      Katie was twenty years old when she left her family’s farm near Dominion City in 1926. Her father had recently died, wages were low, and there was work for young women in Winnipeg. Like many Mennonite women, Katie looked for employment as a maid for wealthy families in the big city.      Katie was hired as a chamber maid and cook for the Cathcarts from 1926 – 1930. In 1930 Mr. Cathcart died the family declared bankruptcy.  Donated by her daughter Hildegard Adrian. - 2010.25.9 Wanted - donations We are looking for: ~ an old violin in fairly good condition for display purposes. Please contact us at: Mennonite Heritage Village 231 PTH 12 N Steinbach, Manitoba R5G 1T8 PH. (204) 326-9661 Toll Free: 1-866-280-8741 Fax (204) 326-5046 info@mhv.ca Top